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Tomorrow Land’s Messiah

Tomorrow Land, by Disney Movies 2015

Director; Brad Bird

Written by; Damon Lindelof, Jeff Jensen, Brad Bird


George Clooney; Frank Walker

Raffey Casidy; Athena

Britt Robertson; Casey Newton

Hugh Laurie; Nix

Tim McGraw; Eddie Newton

Pierce Gagnon; Nate Newton


Alert! I must discuss the end of this movie to address my topic.

Tomorrow Land’s Messiah

By Mark Anderson, 2015

            Anyone familiar with Bible themes will easily recognize parallels between Tomorrow Land and Christianity. In Christianity there is a beautiful world, the kingdom of God, which is unseen to the natural eye. In the Tomorrow Land movie there is the place in another dimension unseen to the human eye which is a utopia that appears to be amazing, peaceful and all the people are satisfied. In the movie humans may see and enter the other dimension when given a special pin and in Christianity humans enter the kingdom of God when they believe. In the movie the pin is given by invitation to those who are deemed worthy because they are dreamers; those with a positive attitude and dream of a better world where anything is possible. In Christianity all are invited, worthiness is not the issue, but those with an open heart to trusting God are the ones who choose to receive the gift of Jesus’ free salvation. Here there is a strong, though not identical, correlation between dreamers and believers. To believe one must set aside skepticism and embrace the possibility of a good and gracious God who offers a beautiful land. This is quite similar to the dreamers who are willing to see the possibility of a good and beautiful future. A significant qualification must be made about Christian believers; they are poor in spirit claiming no inherently good quality within themselves that makes them better than others or self-worthy. In the movie there is a messiah figure, Casey Newton, who is referred to as a very “special person” who can “fix the problem” which will save the world. In Christianity there is a special person, Jesus the Messiah, who is special because he is a divine person, the Son of God. Jesus indeed came to “fix the problem” and save the world through his atoning sacrifice. In the movie there is also a sacrificial death. The image of the messiah transfers to Athena who is able to use her self-exploding body to destroy the evil enemy machine. At the end of the movie a new generation robots like Athena are sent out to invite a new generation of human dreamers to the new Tomorrow Land and this is profoundly like Jesus commissioning his disciples to go into the whole earth and preach the good news, or invite people to believe and enter the beautiful kingdom of God.

These types of themes are not unusual. We seem them in literature from most cultures of the world, in ancient and modern writings. It is not demeaning of the movie to make these observations as though the writers plagiarized the plot. These are universal themes. I do not think that the writers were deliberately making a film to advance Christianity or even draw strong allusions to Christ. I do think it shows the universal appeal of the savior archetype and the hunger in the human heart for a better world beyond our corrupted world. I think it is very sad that viewers will be led to embrace an illusion of humans as our own self-messiah. I think it regrettable that when Christians propose a beautiful kingdom that is beyond the veil of human eyes they are mocked but Hollywood still is drawn to the dream. I do agree with the movie that all people should seek to make this world the best that we can. I agree that all people, especially those who embrace the kingdom of God should be leaders in positive attitudes to improve the living conditions of humanity. However, I think the writers of Tomorrow Land are naïve about human nature, proposing that certain creative people are above the greedy corruption that plagues the rest of humanity. Do they think that the great creative minds of human history were exempt from corruption? Even though Tomorrow Land adapts several Biblical archetypes, its premise diverges greatly and does not offer true hope for the desperate situation of humanity.